Saturday 20 December 2014

Digipack Cover - Audience Research Results

From my survey monkey I gathered results about our first digipack cover we designed from 8 people. The ages included: one 15-18, five 18-24, one 25-34 and one 55-64, this gave me a good range of ages including our target audience. There was also 7 girls and 1 boy, this was good because our target audience is girls, however it would have been better to get more boys so there was a range of gender as well as age.

Question 3
All of the people who answered the questionnaire said that they liked the fact the font for the artist name and the album name were different, as a result we will keep these current fonts.

Question 4
Half of the answers said yes, the cover does look like a pop album. However half said they were unsure or no. We may change the overall look to this cover slightly to make it look more poppy. Perhaps by using different colours.

Question 5
5 people said it was important for the artist to be photographed on he from of a pop album and 4 people said no. We will keep her photographed as it is the majority and we have found from our other research of digipacks that most pop albums have the artist on the front.

Question 6
Only 3 out of the 8 people said that the digipack would grab their attention in a shop. To change this we may change the text to stand out a bit more, or perhaps changing the colouring of the image so it is a bold album cover.

Question 7
6 people thought that the colours of the text and the image went together. We will keep the colour of the text the same due to this feedback, however we may need to brighten it up.

Question 8
These we're results I got when I asked what we could do to improve the digipack cover.
From this feedback we will be changing the text so that it stands out more, possibly making it bold or a different colour, perhaps changing the layout of it as well. We will also change the image colouring so that the font stands out a bit more.


1st Digipack Cover

This is our 1st draft of  a digipack cover, we have chosen the colour and fonts for the texts and believe that they are effective, however I believe that the colours may need to stand out a bit more, possibly be brighter. They are easy to read and stand out. The image we have used is from one of the scenes used in the music video so it may be familiar to the audience. 


I have created a online survey using SurveyMonkey in order to get some feedback on this album cover. After finding out age and gender questions include:
  • Do you like the fact the artist and album name are different fonts?
  • Does this album cover look like a pop album?
  • Do you think it is important to have the artist photographed in on the front of a pop album?
  • Would this album grab your attention in a shop?
  • Do the colours for the image and text go together?
  • What changes would you make to improve this album cover?
The answers to these could either be Yes or No, or in some cases Unsure, this would give me quick feedback letting me know I need to change something. The last question, however, is an open question. People will be able to tell me what to improve on specifically to help get the perfect digipack cover.


Friday 19 December 2014

Music Video



This is our Final Music video.

Beyonce-Album Advert

This advert is a bit different to the others I have looked at. It still has the front digipack cover on there, but very small and it doesn't grab your attention straight away. This advert uses two of the inlay images, both of which the artist is in very similar poses. one with, and one without makeup. This is showing the transition between the two different looks of one person, bringing out the famous alter-ego.
The colours throughout the advert are constant, with a sepia filter. Although Beyonce isn't fully in the pop genre, it is unusual for pop adverts to have one tone. They are normally more colourful to grab the audiences attention. However this could draw the viewer in as it is different to others and does actually stand out.
The font throughout the large type is the same, with the Sasha Fierce logo which is very well known. Again, drawing in the audience. On the side we see a smaller group of very simple, plain text, this is mentioning the famous songs on the album, also drawing in the audience and advertises the album successfully.

Jessie J-Album Advert

This is Jessie J's advert for her album 'Who you Are'. Is has the same image and logo as the album itself, which is a typical convention for pop adverts. Especially as their album covers get very well known. 
It has an extension on the bottom, however, different to Lana Del Rey it is not an extension of the image. It is plain black, tying in with the colour theme on the artists hair, nails, make up and clothing. This works well as the block colour stands out and the text is therefore enhanced and the audience is drawn into it to read. 
The text is a simple font, easy to read and is using the same colours as the text in the album cover, this creates a sense of consistency and continuity, and advertises her album and songs well.
Once again, the 'legal jargon' is placed at the bottom of the advert, with the logos of the record label.

Tuesday 16 December 2014

Lana Del Rey-Album Advert


Although Lana Del Rey is not our exact chosen genre I decided to look at the advert for her album as it is the same as her album cover, but just extended. This is effective because the target audience are most likely to know what the album cover looks like, especially with this one as it is so simple.
There is the same font used for the artist name and the album name, this is going against our conventions for pop digi packs. However the font for the information about the release date and the songs is different and stands out for this reason.
At the bottom of the advert we see the logos of where the album is sold, the artist website and the music label.
The colour of the font and background have swapped for each part of the types-white on blue and blue on white. I like this idea, it makes each stand out separately without changing fonts.

Friday 12 December 2014

Editing Day

Today we had the day off time table in order to get the majority of our music video edited. As we started editing as we went along anyway, we took the opportunity to film some last minute shots as well. Having the long time to do this in one session was very helpful, especially as we were surrounded by people who could help us and share ideas.

Tuesday 2 December 2014

Filming Update

On December 1st we went back to Deans Diner to film our performance side of the music video. We took shots of the same thing from different angles and ensured that we had more than enough footage in order to fill the whole song. Whilst we were in Braintree we went over to Freeport outlet centre and filmed some of the narrative part as the 'future husband' treats the artist 'like a lady' buying her clothes and presents. 


Whilst filming we realised that we couldn't change the lighting as the Diner was open but there was quite a lot of natural light coming through the front windows. We decided that, to get round this problem that we would use a colour corrector of Final Cut Express when editing in order to get the right look for our pop music video.

Sunday 30 November 2014

Editing Update

We have started to edit as we go along whilst filming. As we were filming the early parts of the video, and editing them, we have realised that our Treatment may not be realistic and may have to make a lot of changes to the way we film and the order of the video sequence. We have changed this by filming extra footage to what we need so that we can fill any gaps easily in our video, but still keeping in the theme and story line of the video, and not going off on a tangent and confusing the audience.

Saturday 29 November 2014

Decisions-Fonts


Following our audience research we decided to go for the  first font for the artist name as most of the girls who were in our target audience liked it and though it would be the best choice. As the 15 year old's said to use pink we have used this font and test out different colours, including baby and hot pinks, as also seen in a previous post.

And for the album title we have decided to also use the first font as we believe it was the most appropriate as it looked classy an good for a pop digipack cover - according to our research. We have not yet decided on colours for this text but I think it needs to be different to the colour of the artist text. As the boy in our audience research said it would look good with a constant font because it would look neater, we have decided that it is a possibility to use the same font for the album title and the song titles on the back cover, so there is a consistent theme throughout the digipack but with the artist name standing out.

Friday 28 November 2014

Fonts-Audience Feedback



I showed this image to and audience including two 18 year old girls, one 17 year old boy, three 15 year old girls and a woman in her 40's.

The 18 year old girls said that it was a good idea to have the different fonts for the artist name and the album name. They liked the 1st and the 3rd font for Rosie Pink as they were 'edgy' and 'classy', respectively. For the album name they liked the fact that it was 'movie/hollywood themed' as it fits with the song. They like the 2nd font as it was different to others they have seen on album covers. The girls disliked the last font for Out All Night as it looked 'like highschool sport' writing and 'unprofessional'

The boy thought the 2nd font was best for the artist name as it was 'girly and perfect for a pop album' he said it was also easy to read which is important for a digipack cover. He also said that having a handwritten font was a good idea, and it was as if she ha signed it herself. This boy said that it would be better to have the same font for both of the artist and album name as it would look neater, however if he had to choose one he would choose the first one as it is 'easy to read' and reminds him of the 'entertainment industry'.

The three girls all agreed that the 1st font was best for the artist name as it 'looks like a signature', is 'unique' and it is 'perfect for a pop CD'. They gave me some ideas on colours as well. They all said that the artist name should be pink as it is a 'girly and poppy colour', but two of them said to use a baby pink and one said to use a hot, bright pink. Two of the girls really like the first font of Out All Night as it looked 'classy' and 'like a proper album title'. The third girl liked the second font as it looked more like the theme and genre we were going for. None of the girls liked the third font as it reminded them of high school musical and looked 'childish'. But they all thought that is was good to have different fonts for the two texts as I differentiates the two products - the artist and her ego and the album.

Finally the woman said that she liked the 3rd font for Rosie Pink as it was 'feminine and classy' and 'still in keeping with the pop genre'. For the album title the font she liked the most was the first as it was 'easy to read', 'stands out' and 'looks like a professional title'.




Possible Fonts

Today we started looking at different fonts and styles for our digipack. From the theme of the song of 50's style, film style we decided to look at vintage film posters to get a feel for the style and fonts used. This gave us a lot of inspiration as to what font we wanted for our album title.

We decided to have a different font for the album name and the artist name as this is a common theme throughout pop digipacks.

Our chosen artist name is: Rosie Pink, and the chosen album name is: Out All Night. For the artist name we want a handwritten font, so it looks like the artist has signed it herself. For the album title we believe a bolder, capital font would be better to really make the name stand out. This is also a theme throughout the vintage film posters-bold writing, usually on a slant. 

We had a look into different colours to use and as it is a pop album we believe bright, girly colours should be used to stand out and really emphasise the artists image. These are the different colours we have tested so far, with a range of pinks, from light and dusky to bright and deep. Personally I think we should use a pink more like the top right colour as it is very girly and a happy colour. Perhaps layering it over a deeper colour would make it stand out and make a statement.

Thursday 27 November 2014

Album Title

Many pop albums are named after songs on the album or something to do with the artists life. As our artist is quite young we thought we should go for something fun to do with her life. With the help of the teacher we came up with 'Out all Night'. I like this name for an album because it suggests the artist wants to just have fun and live her life whilst she's still young.

Artist Name

We have decided on an artist name. I believe it should be a short, quick and memorable name like Rihanna, Beyonce, Madonna for example. From a few suggestions we had Rosie was our favourite as is stood out most for us and is quite a classic name, which would tie in with the whole theme and image of the artist.

We still believed it was missing something so thought of adding a surname, like a colour to make it still memorable. Our first choice was Rosie Black so the black is contracting and still sharp and to the point. We went through many different names and variations and finally came up with the chosen name 'Rosie Pink' roses are obviously red/pink so this seemed like and obvious choice for us to go with. I like is as it sounds like quite a fun, but innocent name that would be memorable and stand out in the world of pop.

Wednesday 26 November 2014

Filming Update

As we are coming up to christmas the diner is starting to get busy. We wanted to film again this friday, the 28th november however we was not able to secure permission for that day in Deans Diner. However they have given us permission to film in the diner on monday 1st december, this is where we will get all of the performance filmed. We will also film some of the narrative scenes in the surrounding designer outlet centre. 

Saturday 15 November 2014

Prop List 1

These are the props we used in our first set of filming for the narrative side of our video:

  • Burnt Apple pie
  • Fresh boxed apple pie
  • Shopping bags filled with food
  • Candles
  • Single rose
  • iPad and stand
  • Oven mitten
The apple pies/recipe on iPad/grocery bags are used in the video as synaesthesia. The artist sings about each of these items and at this point in the song we will see each of them. This is quite typical of music video but it is especially a convention of pop music videos.


Thursday 13 November 2014

Analysis of Pop Digipacks-Britney Spears

As a group, Bronwyn and I ad analysed the digipack of Britney Spears' 'In the Zone' album. We thought it was good to a get a digipack in real life to analyse as we could see the whole book and look closely at the detail. 

We believed Britney would be a very good example for us to use as she is a huge 'pop princess'. This is her 4th studio album so it is a bit later than the innocent school girl image she was trying to project. The pictures in this digipack are much more sexualised and grown up, as she is trying to enhance her celebrity image on another level at this point in time.

The video of our analysis is on our Wix website: http://nfgsyasminknott.wix.com/yaswynproductions#!videos/cww2

Shot List for Music Video

We have started to created a shot list for the performance part of the video, including every single shot and angle we will see in the music video. This is because when we come to film and edit the video we will know exactly what we're doing and will make it a lot easier to get right. We have done it in pencil, just in case we decide to make any changes, for example in the diner there may be customers sitting where we want to film. 


Tuesday 11 November 2014

Analysis of Pop Digipacks-Katy Perry

Katy Perry
Teenage Dream
This digipack, I believe, is very typical of a pop digipack. You can tell by the colours and photos of the artist. The digipack is projecting the artists image and this is the main aim for a pop artist.

Image: The image of the artist is quite sexual, we see her naked, laying down in a provocative position. The clouds she is laying on are supposedly made out of cotton candy, sweet things are sometimes portrayed as amorous therefore adding to the sexual image of the artist. Her mouth is slightly parted, adding to the sexual connotations, however this suggests that the album is still about the music and the fact she is a good singer.

Colour: The colours in this digipack are all very similar. Pinks and reds are used, this is also quite typical of a pop digipack and the colours are portrayed as very girly. The blue at the top on the image suggests its at an actual location and makes it a bit more realistic rather than a photo shoot in a studio.


Text: The artists name stands out the most, the font is curly-also a very girly convention, it looks like it has been blown up, perhaps with bubbles or a balloon. This could also be thought of as a provocative image. The album name is made out of sweets, this a theme in the album as you can see that there are sweets used for the 'o's on the back of the album. The sweets give the album a very poppy and girly feel which makes the artist successful in want she wants to portray at this point in time. The album name also looks like it is melting, this could suggest that her 'Teenage Dream', like most, could be slipping away. 


Filming Prep-Male Gaze

To challenge the convention of the male gaze, as our target audience is predominantly younger females, we plan to film the woman in the view of other women.

Laura Mulvey came up with the idea of the 'Male Gaze' in 1975. It's the idea about how the audience views the characters from the male heterosexual perspective. And this convention will be challenged by us in our pop music video. We will do this by focusing on her voice rather that her image and body features.



Monday 10 November 2014

Production Meeting-Timetables, Planning of Filming

We have just had a production meeting comparing timetables. We have found a new actor that has a similar timetables to us. We will start filming on Friday 14th November periods 2,3,4 and during lunch, Bronwyn has permission to leave her RE lesson and we will be filming during our double Media Studies lesson.

Saturday 8 November 2014

Issues with Production

As we have come to the time to start filming we have realised it may be a problem getting everyone together at the same time, with the actors we chose originally. This has delayed our filming drastically. We may need to change our male actor as he is currently very busy, this means we may have to make some slight changes to the music video.

Wednesday 5 November 2014

Prop-Engagement Ring

For one of our props we will use, we have got an engagement ring for the husband to propose to the artist at the end of the video. This ring is obviously an engagement ring as it have a big diamond in the middle with smaller diamonds around the band of the ring.



Monday 27 October 2014

Storyboard

This is our storyboard for the music video. We have only done a storyboard for the the narrative as it would be too hard to draw a storyboard for the performance side of the video because we ideally want many different shots to cut at the same rate as the song.
We decided to use a whiteboard as we could change things easily as we go along if needed. We did this because while we knew who we wanted in the scene we wanted to think about the different ways we could shoot them to give a subtext to the video. For example, perhaps we would want to focus on the costume of the husband and focus in on the ring box at the end. To help us with the filming we have also put the timings so we should be able to get it exact.
00.25-00.46
00.46-00.56

00.58-01.08
01.10-01.20


01.23-01.34
01.34-01.44

02.11-02.23

02.47-02.57

02.58-3.03










Thursday 23 October 2014

Locations

Whilst creating our treatment and storyboard we have been discussing our locations for the music video. We have two main locations: Dean's Diner (mostly performance) and Hannah's (our artist) kitchen (mostly narrative).

Our other locations include a fireworks display, autumn pathway with surrounding trees, train platform and a restaurant. (Photos to follow)

Camera Angles and Shots

I looked as Psycho's famous shower scene for the camera work as it is filmed in a very unique way.

This scene is filmed with one continuous shot, but to get the continuity perfect there is approximately 6 cameras used. As we will be having many different camera angles in such a short time it may be hard to get the continuity correct, we may need to use more than one camera to film the different angles of the music video.

After the superimpose form the plughole to the eye, we see the camera move in an unexpected way. As the camera tracks out we expect it to come upwards to the left side of the bathroom but it actually tracks out towards the door way and into the bedroom. We may use a technique like this when the man in a suit is in the shot, this will vary the number and type of shots we use in the music video. We took a test shot on our actor with the suit on to see how it looked and whether it will work.

Costume Idea


For our male character we will have him dressed in a suit for most of the video as he is a 'classy guy' who works so this would fit in well with the lyrics. This is our male actor dressed in an outfit similar to what we imagine to be in our music video.



The artist will be wearing a 50's inspired outfit for the performance, mostly set in the diner as this fits with the location and mis-en-scene, as well as the song as it has a 50's feel to it. This is an example of what we will dress the artist in.



For the narrative, the costume will be less dressy and more modern, but still with a slight 50's theme. 


Red was a popular colour wit 50's outfits so we will include things like a red tie and red bandanna, so the couple in the video are matching.

Friday 17 October 2014

Meghan Trainor - All About That Bass



I have decided to look at this video again purely for the camera shots.
There are lots of shots in this video, almost every second, This is very effective and typical of a pop video and we would like to also create this affect with our music video. There are also a lot of filler shots in the video, which are quick, short shots that add to the story. For example in this video you have Meghan sitting on the floor with a barbie doll, then returns to the performance and then quickly cuts back to this filler shot. It has a fairly comical feel to it which we would like to portray in our 'Dear Future Husband' video. Having filler shots is also a good idea to get a good range in. We're going to have a lot of scenes, so it is important for us to film a lot of extra footage to use as filler shots so we can get that fast cutting rate in time with the song.

We highlighted all the words we see her sing and it is quite a lot but it is the most important words that are trying to send out a message. We are going to try and get this same convention in our video, but not have as much lip syncing as our video will be mostly narrative. 
We also drew a line on the lyrics to represent a cut in the video. This was very hard as there was so many. However it made us realise how many different shots are in music videos, and the volume of shots we need in ours.

Wednesday 15 October 2014

1st Draft Treatment for 'Dear Future Husband' Music Video

All the narrative will be a dream or fantasy in the artists view.

Before the song starts (approx. 4 secs) we will have diegetic sound in the diner. The artist (main character) will put money into the jukebox and selecting a song to play, this will start in black and white filter. As the first stanza of the song is being played as diegetic sound the artist will go back to the table with her girlfriends as part of the narrative. This will be up to 19 seconds into the song. From 19-22 secs we will have a mid shot of about 3 men harmonising the 'aahhhhh' just before the song kicks in, we will fade the filter into enhanced colour, this is a performance part of the video.


In the diner as the song starts the first lyrics are 'Take me on a date' so we will have the artist watching the 'future husband' come through the entrance of the diner as she sits in a booth with her friends, it will be filmed in the mirror with both the artist and husband in the shot. This will be from 22-25 secs. 

The next shot will be an over the shoulder shot of the husband at the front door holding a bunch of flowers. This shot is from 25-30 secs it will show the door opening, the husband coming through the door and the hallway. This is also a narrative part of the video. At 30-34 secs we will then see the artist singing 'I'll be the perfect wife' in the kitchen with 'world's best wife' apron on. In the background there will be vintage shopping bags with groceries in, we will do a sweeping shot round to focus on their relationship and the shopping bags.




At 34 secs we will have a second long shot of peoples feet at a train station - commuting to work. This will be a real-life narrative. Then, we will cut to the artist at work in an office, she will comically playing a game on the computer or her phone, whilst we see her sing 'but, baby, so do I'. This will be a performance shot until 38 secs

From 38-43 secs we'll cut to the artist in the kitchen with a recipe book out with apple pie recipe page, flour and other cooking ingredients out on the surface. She will then get a burnt apple pie out of the oven, and then a ready made one out of the fridge on the line 'but i can find a hook'.
At the line 'sing along with me' we see the artist singing to the camera, this is at 43-46 secs



From 46-56 secs we will see the narrative involving them shopping in a clothes store and the 'husband' will hold up an expensive dress to her front, this will be a side/over shoulder shot, we see the artist sing 'treat me like a lady'. They will also be messing around.

From 58 secs-1.08 mins we will see the performance side of her singing in the diner to her girlfriends sitting down opposite her.

At 1.10-1.20 mins we will show the narrative of the artist with the 'future husband' of them walking through the town/streets at night time.




After we see them walking through the streets we will see the artist crying from a fight they've had, we will see the 'husband' then say sorry to the artist then hug her and kiss her head. This scene will be from 1.23-1.28 mins.

When she sings casually 'you know i'm never wrong' we will see an over the shoulder shot from the husbands point of view of her singing it to him as part of the narrative 1.28-1.30 mins.

At 1.30-1.34 mins we will see the artist singing directly to the camera as if the artist is getting sympathy with the audience, (who will mostly be girls).


Our next scene will be at a fireworks display. We will include a lot of handheld camera shots and amateur filming to create the effect that they're together and he's treating her well. We will have shots that include them standing together, fireworks in the background etc. This will be from 1.34-1.44 mins.



At 1.47 mins there is a key change. We will have further performance-the artist and her friends will be dancing. We will also see the artists lip syncing to the chorus-the 'live singing' part we can hear in the background.

This will be continued till 1.59mins, then it will go back to the narrative side till 2.08 mins, where we will see the artist being surrounded by the future husband's family in a home environment. 


2.11-2.23mins The artist will be in bed on her own (left side) and we see her go to sleep and into a dream. In the dream narrative they go to a posh restaurant and he opens the door for her, in a suit, as she walks through the door he gives her a kiss. We have a shot of the husband in a suit an pan down to see him get a ring box out of his pocket.

At 2.23 -2.32 mins The narrative side of the story will insist montages of the previous shots that included both artist and the future husband, this will be outtakes style.

2.35-2.44mins The artist will be performing to the camera, using a close up shot. This then applies to Goodwin's theory with the close up shot of the lip syncing and visuals amplifying the lyrics. We will also be using flashbacks of the previous shots and scenes we have used in the video.

2.47-2.57mins We will see the narrative side of the artist putting her arms round the future husband's neck, pan round with a long shot of him pinching her bottom. On the line "Tell me I'm beautiful", we will once again get a close up shot this time of the husband lip syncing 'You're beautiful' to her.
2.58-3.02mins towards to the end, we see him preparing to propose as part of the dream narrative. We will then after the music stops, we will change to diegetic/no sound as he goes down on one knee to propose and holding the open box with a ring. 

Tuesday 14 October 2014

Production Meeting 2-Lyrics and Video Planning

We have printed off the lyrics to Dear Future Husband and started annotating them to get a basic idea of where to start with our music video planning. With this we are thinking of locations, different types of shots, colour filters, costume, characters, props etc. as these are very important components of a music video.

The first idea we had was taken from our audience research and that is to start the video in black and white and transform into colour from 18 seconds into the song. Another set idea we have had is to start the video before the song and include the first 18 seconds as diegetic sound in the diner.

We believe by annotating these lyrics will make our ideas come through quicker and when writing our treatment it will flow nicely. 

Taylor Swift-Love Story



I am choosing to look at this music video as it has a range of narrative story lines-3; the college, the ball and in the castle. These are three very distinct narratives with the performance being in the castle where we see her in her fantasy, singing about the fantasy. This works well with the lyrics of the song as it is a very fantastical song. She dreams about being with a 'Romeo' who is just a made up character. It could be said that this convention is broken at the end with the suggestion that they are together in the end in real life, in the college narrative story.

Our production will be very similar with the form of the video. We plan to have a 'real life' performance/narrative with her singing about him (in the diner location) and wanting to be with the 'future husband', a narrative story where she's trying to be with him and also another 'dream' narrative were she actually is with him and they are together.

Carly Rae Jepson-Call Me Maybe



I decided to look at this music video as it has very similar themes that we want to create in our music video. It's about a girl crushing on a guy and imagines herself with him. She has a dream in the middle of the song of them two together, we want to portray that story as well. 

Firths music theory can be applied to this as there is performance an narrative to this video. We see the artist singing the song to the audience (and the male character) but we also see a narrative where she is imagining herself with him, and also a story throughout, living everyday life ending up with the male character handing his number to part of the band. The narrative and performance also overlap a lot in the video as we see her singing as we see the story progressing.

We want to apply this to our video, a mixture of performance and narrative, with overlaps, as this is very typical of a pop music video.

Tuesday 7 October 2014

Primary Audience Research

On our wix website we have uploaded our audience research through soundcloud.

http://nfgsyasminknott.wix.com/yaswynproductions#!production-meetings/c1p9k

Monday 6 October 2014

Production Meeting 1

Today we had a production meeting to discuss our chosen song and any ideas we have had. We found this very useful as we get our first, initial ideas about our song choice so they can grow from there.

We made brief notes of what we discussed to get  starting point to planning the content of our video as well as some audience research.






Monday Morning Update 08/10/2014

Last night Meghan Trainor went to number 1 in the UK with her debut single 'All about that Bass'. This shows that her music style and her music video is very popular with almost 125 million views on YouTube. This means that we could take some typical conventions of her video and use them in ours, or (on the other hand) we could contrast with her and challenge the conventions she has used. 


Friday 3 October 2014

Group Website

SCREENSHOT OF WEBSITE CREATION.Today we created a website. We thought this would be a good idea to post group audio's, video's and any other work we do together as well as putting it on our individual blogs. 


We also created a SoundCloud account as well, this was so we could upload our audio tracks without a video. Using SoundCloud also makes it extremely easy for us to upload the audio's to the wix website we have.

The SoundCloud username is: YasWyn Productions.

We came up with a company name as it is a group project. From this we could use the name for a company ident, website and usernames. The name came from a mixture of both our names, at first as a joke, but once we said it, it sounded like a professional music/film production name.